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And that was the end of that. Falconer plugged on in the theater, creating, among other commissions, the backdrop for a stage adaptation of David Sedariss The Santaland Diaries. In his spare time, he fraternized with a revolving coterie of famous friends and lovers among them Tom Ford and the painter and occasional set designer David Hockney, who had helped Falconer get his start in the theater world and began contributing cover art, reminiscent in palette to the Olivia books, to The New Yorker

"But hammering out the details became like the movie 'Groundhog Day' over and over and over." Finally, the tobacco companies agreed to set up a special fund to pay the outside lawyers separate from monies going to the states