As we have seen, such an opposition of good and evil, symbolized here by the dark and light masks, is far more characteristically European and Christian than indigenous, so that, superficially at least, it seems clear that in theme as well as content, the dance of the Moors and Christians is a Spanish introduction.68 This makes the existence of the other fundamental variant of the dance even more difficult to explain, for in it, the Mesoamerican native population, usually identified in the dance as Aztecs, replaces the essentially evil Moors in the struggle with the Christians
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