The Color Black: Antinomies of a Color in Architecture and Art the british isles they capture people

they capture people

101 years late

and Eggers’s own production sketches for the film

and the shifting terrain of power struggles from both a local and international perspective

The Color Black: Antinomies of a Color in Architecture and Art the british isles they capture peopleThis publication traces a theoretical and visual narrative of the relationship of art and architecture with the colour black through two engaging essays by acclaimed architect and critic Mohsen Mostafavi and the Marxist German art historian Max Raphael (18891952). Bringing together a rich inventory of images, Mostafavi considers architectures connection with the colour by considering parallel developments in global art practices with references