forget thee Cinema of the Present sadé mucks up orthography to

sadé mucks up orthography to investigate disorienting practices of refusal and wade through the fundamental feltness and unintelligibility of thingness

“Philosophy brings us back to simplicity

“My vocabulary did this to me

maar een plek die past bij wat mensen willen

forget thee Cinema of the Present sadé mucks up orthography toIan Dreiblatt In forget thee, Dreiblatts first full length book of poetry, an anonymous narrator ruminates on the end of the world, while conversing with various historic and literary figures from the ancient Mediterranean and Mesopotamian worlds. Going behind writing to start language afresh, they observe together how often worlds end; how language is the register in time of our answerability to each other; how writing, sociality, play, violence, and